B"H
All right. This is a Big Issue in many extreme orthodox Jewish circles.
What are the criteria that we should use when deciding on music to listen to? If music was and will again be part of services at the
Holy Temple in Jerusalem (may it come speedily in our days), then why not explore the possibilities? With masses returning to Eretz Yisrael from "the four corners of the Earth" wouldn't it make sense that our music would become a little... uh...
diverse?
There are those orthodox Jewish communities who behave as though klezmer is the most authentic and legitimate music there is. Now, don't get me wrong. I love, love, love, that "old time" Chasidish nigun. When sung in just the right way, some nigunim will bring me to tears every time. Yes, every time. In fact, on some level, I even enjoy those deep-seated emotions. On the other hand, I can understand when today's youth expresses a sense of suffocation and confinement at the "same 'ol same 'ol."
As beautiful or valuable as any type of music may be, sometimes we need to create distance from it in order to put it in perspective and to more fully gain the appreciation it deserves. This may be just part of the reason why much of today's orthodox youth is going
"underground" with styles of music that diverge from the accepted norm. One Australian orthodox Jewish musician of the Kabbalah Underground Project claims that "'Being frustrated with the closed-off nature off my community, combined with the need to experience some of the great things out there in the wide world.'” is what led him to create new music (follow
this link for the original article).
Music is powerful. The bad news is that as well-intentioned as we may be, music that is not created with a shomeir mitzvot consciousness may influence us to go off the derech in the worst of ways. The sad fact is that there is music out there that disrespects women, that uses harsh language, and that teaches hate. The good news is that in many cases, Jewish youth is drawing the best from what's out there to create something totally original: Jewish music that spreads G-d consciousness.
You have the (kinda old-school) rap artist,
Remedy, who's songs deliver lessons in Jewish history to children of all faiths. Then there's one of my absolute favorites,
Y-Love. He's up-and-coming and his lyrics are amazing and consciousness-lifting with polyglotic rhymes in English, Spanish, Hebrew, Amharic, Yiddish and maybe one other language (Aramaic?). He's an "in-your-face, no excuses, face reality and deal with it" kind of guy with the neshamah of a fearless warrior. We need more of that these days. And how could I forget the
Moshav Band (apparently now known as "Moshav")? It's music inspired by
Reb Shlomo Carlebach. Good stuff.
Finally, I have heaps of love for
Matisyahu: the man who started this popular Jewish hip-hop craze. What a beautiful man... so sensitive, yet powerful--and what a talent! Many of today's Jewish hip-hop music artists are riding on the coattails of his success. He should be enjoying life; that's why it made me a little sad to see this
recent video of him, courtesy of You Tube.
Note to Matisyahu, if your eyes should ever grace this blog: The greater the mission, the greater the obstacles in achieving it. Seek out a rav, get some serious guidance and in the meantime... Just hang in there and daven to HaShem from that place of pain.
We're all confused!!!
And we will now return to our regularly scheduled progaramming...
Why am into all of this? A lot of reasons, actually. Not just because I'm a baalat teshuvah. Our grandparents' nigunim are all about survival--about bringing the past into the present. At times, they are haunting reminders of our painful past. Chas v'shalom that we should ever forget what we've been through during the past 2,000 some-odd years of galut. However, today's generation is making vibrant music--about celebration and hope--that will propel us forward into our blessed destiny.
I ask today's rabbinical authorities:
Rather than have Jewish youth go underground with their i-pods and cellphones, why don't you at least recognize the good in "non-traditional" orthodox Jewish music? The artists are shomeir Shabbat, and they create lyrics that are respectful to women, use responsible language, and deliver a message of our moving forward into the future as one nation--about diversity within unity. It may not be the most tzniustic, but it's not the worst either.
Yes, I would like to see more mechitzahs at concerts, too, along with less of all the other spiritually counter-productive elements that seem to tag along with the music scene. But considering all the really harmful stuff that's out there, the orthodox community may be better off "cutting its (perceived) losses." We look to our spiritual leaders for guidance when we feel listened to and valued and loved, unconditionally. Therefore, if you want to have a genuine impact, demonstrate some open-mindedness and work with us in our new creative expression as we look ahead to nationhood.